Luhrmann deftly blended Presley's original vocals with that of star Austin Butler, and in at least in one crucial moment in the film, the actual Elvis took the screen in lieu of the young actor. No matter what gender she is, Keough is showing the world that she can kick ass behind the mic and is using some of the relics of the past to do it.The King once again reigned supreme when Baz Luhrmann's fantastical biopic Elvis hit cinemas this summer and cruised to $138 million (and counting) in domestic grosses. ![]() Keough’s attitude towards her performance matches her character, refusing to take no for an answer based on any sexist connotations. I think that was really hard for women to do”. I pulled influence from men because I felt like Daisy was ahead of her time in terms of how open and how willing she was to go into a space and be confident. Along with her ancestor’s massive impact on rock music, Keough also mentioned pulling from people like Jimi Hendrix when sculpting her look for the character, telling Porter, “I was like, ‘I’m not going to exclusively look at women I want to look at Led Zeppelin and Jimi Hendrix’. Keough also gave the performance a personal touch, using her own guitar when performing her songs in the show. I thought it was nice to bring that back in the fold and have a little bit of that history”. “She actually made two jumpsuits for Elvis Presley, so I had her make two beautiful, long coats for the show,” Wingate told People, “One is a denim leather patchwork long coat and the other a beautiful rust leather. When discussing getting the right wardrobe for the show, designer Denise Wingate talked about working with famed designer Love Melody, who had previously worked with Presley.
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